{"id":13755,"date":"2022-03-10T05:38:28","date_gmt":"2022-03-10T04:38:28","guid":{"rendered":"https:\/\/vosgesinfo.fr\/epinalinfo\/2022\/03\/lithographie-imageries-depinal\/"},"modified":"2024-02-27T17:26:26","modified_gmt":"2024-02-27T16:26:26","slug":"lithographie-imageries-depinal","status":"publish","type":"post","link":"https:\/\/vosgesinfo.fr\/epinalinfo\/2022\/03\/lithographie-imageries-depinal\/","title":{"rendered":"La lithographie et les imageries d’Epinal"},"content":{"rendered":"

La Soci\u00e9t\u00e9\u00a0d’\u00e9mulation du d\u00e9partement des Vosges organise une nouvelle conf\u00e9rence,\u00a0Jeudi 24 mars 2022 \u00e0 18 heures,\u00a0Auditorium de la bmi 48 Rue Saint-Michel, \u00c9pinal.<\/p>\n

\n

\u00ab\u00a0La lithographie de sa cr\u00e9ation \u00e0 Munich aux Imageries d’Epinal<\/b>\u00a01796-1896″<\/b><\/p>\n

Conf\u00e9rence par Fran\u00e7ois Bitterly et Alain Beretta<\/b><\/p>\n

Entr\u00e9e libre<\/p>\n<\/div>\n

<\/div>\n
\"couv<\/div>\n

\u00ab\u00a0Moins consid\u00e9rable que la r\u00e9volution op\u00e9r\u00e9e par Gutenberg en inventant l\u2019imprimerie typographique au XV\u00e8me si\u00e8cle, la lithographie, qui lui a succ\u00e9d\u00e9 quatre si\u00e8cles plus tard, m\u00e9rite cependant d\u2019\u00eatre mise en lumi\u00e8re. En effet, tout au long du XIX\u00e8me si\u00e8cle et au d\u00e9but du XX\u00e8me, l\u2019impression chimique sur pierre va compl\u00e9ter utilement la typographie.<\/em><\/p>\n

Nous commencerons en \u00e9voquant l\u2019invention de la lithographie \u00e0 Munich par Aloys Senefelder : il met au point l\u2019utilisation d\u2019une pierre calcaire comme support d\u2019impression, puis il n\u2019aura de cesse d\u2019am\u00e9liorer cette technique et ses possibilit\u00e9s. Assez vite, la lithographie va \u00eatre diffus\u00e9e en Europe tout au d\u00e9but du XIX\u00e8me si\u00e8cle. En France, un peu plus tardivement, sont cr\u00e9\u00e9s deux premiers ateliers : en 1815 \u00e0 Mulhouse par Engelmann, puis en 1816 \u00e0 Paris par le comte de Lasteyrie. D\u2019autres \u00e9tablissements suivront en province, notamment en Lorraine : en 1821 \u00e0 Metz, en 1825 \u00e0 Nancy.<\/em><\/p>\n

Nous nous centrerons alors sur l\u2019\u00e9volution de la lithographie dans le d\u00e9partement des Vosges. Honneur sera fait aux pionniers spinaliens ; ils seront vite suivis dans l\u2019ensemble des principales cit\u00e9s vosgiennes. Vient ensuite l\u2019essentiel : l\u2019utilisation graphique de la lithographie dans la production imagi\u00e8re spinalienne. En 1853, l\u2019Imagerie Pellerin introduit ce proc\u00e9d\u00e9 qui affine le graphisme des images, en particulier gr\u00e2ce au talent artistique d\u2019un autre Spinalien, Charles Pinot. Ce dernier pensait \u00eatre associ\u00e9 \u00e0 la direction du nouveau statut de Pellerin (Pellerin & Cie) en 1858, mais, \u00e9cart\u00e9, il fonde sa propre Imagerie (Pinot & Sagaire). S\u2019ensuit une concurrence qui, malgr\u00e9 des diff\u00e9rends, s\u2019av\u00e8re b\u00e9n\u00e9fique, tant pour la qualit\u00e9 artistique des images que pour leur orientation \u00e9ducative. Apr\u00e8s la mort de Pinot en 1874, son Imagerie est reprise par son neveu Charles Olivier-Pinot jusqu\u2019en 1888, ann\u00e9e o\u00f9 Pellerin & Cie la rach\u00e8te.\u00a0\u00bb<\/em><\/p>\n

Fran\u00e7ois Bitterly,<\/b>\u00a0n\u00e9 \u00e0 Remiremont, ex-professeur au Lyc\u00e9e J. Charles Pellerin d’Epinal,\u00a0a \u00e9t\u00e9 secr\u00e9taire g\u00e9n\u00e9ral de l\u2019Ecomus\u00e9e de l\u2019Imagerie d\u2019Epinal, charg\u00e9 des recherches historiques.<\/em><\/p>\n

Alain Beretta<\/b>, n\u00e9 \u00e0 Remiremont, est agr\u00e9g\u00e9 de l\u2019Universit\u00e9 et docteur \u00e8s lettres. Il a enseign\u00e9 en lyc\u00e9e \u00e0 Epinal tout en publiant plusieurs ouvrages sur la litt\u00e9rature ; il collabore r\u00e9guli\u00e8rement \u00e0 la revue p\u00e9dagogique \u00ab\u00a0L’\u00c9cole des lettres\u201d.<\/em><\/div>\n
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– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –\u00a0<\/em><\/div>\n
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Mardi 26 avril \u00e0 20h30<\/u><\/b>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/b>Amphith\u00e9\u00e2tre fac de droit, entr\u00e9e libre<\/u><\/em><\/p>\n

\u00ab\u00a0R\u00e9envo\u00fbter Notre-Dame de Paris. L’apport de l’arch\u00e9ologie du b\u00e2ti\u00a0\u00bb<\/b><\/em><\/p>\n

Conf\u00e9rence par C\u00e9dric Moulis<\/b>,\u00a0arch\u00e9ologue<\/em><\/p>\n

L\u2019incendie du 15 avril 2019 de la cath\u00e9drale Notre-Dame de Paris a offert une opportunit\u00e9 unique aux arch\u00e9ologues du b\u00e2ti et aux historiens de l\u2019art de travailler au plus pr\u00e8s d\u2019un b\u00e2timent embl\u00e9matique, patrimoine mondial de l\u2019Humanit\u00e9. La r\u00e9cup\u00e9ration de la plupart des claveaux issus de l\u2019arc doubleau effondr\u00e9 de la nef a permis d\u2019\u00e9tudier l\u2019ensemble de la cha\u00eene op\u00e9ratoire d\u2019un \u00e9l\u00e9ment essentiel de la cath\u00e9drale, depuis le choix du mat\u00e9riau jusqu\u2019\u00e0 sa mise en \u0153uvre, en passant par les techniques employ\u00e9es par le tailleur de pierre, ou le savoir-faire de l\u2019appareilleur. L\u2019examen des claveaux permet \u00e9galement d\u2019identifier certaines reprises effectu\u00e9es dans un second temps, lors de la mise en \u0153uvre des vo\u00fbtes. Ces donn\u00e9es totalement in\u00e9dites permettent aujourd\u2019hui de concourir \u00e0 mieux comprendre le b\u00e2timent et d\u2019en assurer une meilleure restauration, respectueuse des techniques anciennes et des contraintes m\u00e9caniques d\u2019une nef de 32 m de hauteur.<\/em><\/div>\n","protected":false},"excerpt":{"rendered":"

La Soci\u00e9t\u00e9\u00a0d’\u00e9mulation du d\u00e9partement des Vosges organise une nouvelle conf\u00e9rence,\u00a0Jeudi 24 mars 2022 \u00e0 18 heures,\u00a0Auditorium de la bmi 48 […]<\/p>\n","protected":false},"author":52,"featured_media":13756,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,12,24],"tags":[2433,2434],"class_list":["post-13755","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-epinal","tag-imageries-depinal","tag-lithographie"],"acf":[],"yoast_head":"\nLa lithographie et les imageries d'Epinal - Epinal Info<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vosgesinfo.fr\/epinalinfo\/2022\/03\/lithographie-imageries-depinal\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"La lithographie et les imageries d'Epinal - 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