{"id":138376,"date":"2025-12-23T15:00:36","date_gmt":"2025-12-23T14:00:36","guid":{"rendered":"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=138376"},"modified":"2025-12-23T15:00:57","modified_gmt":"2025-12-23T14:00:57","slug":"le-mudaac-fait-lacquisition-dun-tableau-de-tudi-deligne","status":"publish","type":"post","link":"https:\/\/vosgesinfo.fr\/epinalinfo\/2025\/12\/le-mudaac-fait-lacquisition-dun-tableau-de-tudi-deligne\/","title":{"rendered":"Le Mudaac fait l&rsquo;acquisition d&rsquo;un tableau de Tudi Deligne"},"content":{"rendered":"<div id=\"attachment_138377\" style=\"width: 756px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/vosgesinfo.fr\/app\/uploads\/sites\/3\/2025\/12\/thumbnail-tudi-deligne-l-effondrement.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-138377\" class=\"size-large wp-image-138377\" src=\"https:\/\/vosgesinfo.fr\/app\/uploads\/sites\/3\/2025\/12\/thumbnail-tudi-deligne-l-effondrement-746x1024.jpg\" alt=\"\" width=\"746\" height=\"1024\" srcset=\"https:\/\/vosgesinfo.fr\/app\/uploads\/sites\/3\/2025\/12\/thumbnail-tudi-deligne-l-effondrement-746x1024.jpg 746w, https:\/\/vosgesinfo.fr\/app\/uploads\/sites\/3\/2025\/12\/thumbnail-tudi-deligne-l-effondrement-219x300.jpg 219w, https:\/\/vosgesinfo.fr\/app\/uploads\/sites\/3\/2025\/12\/thumbnail-tudi-deligne-l-effondrement-768x1054.jpg 768w, https:\/\/vosgesinfo.fr\/app\/uploads\/sites\/3\/2025\/12\/thumbnail-tudi-deligne-l-effondrement.jpg 787w\" sizes=\"(max-width: 746px) 100vw, 746px\" \/><\/a><p id=\"caption-attachment-138377\" class=\"wp-caption-text\">Tudi_Deligne_L_Effondrement<\/p><\/div>\n<h2><strong>Le Mus\u00e9e d\u00e9partemental d\u2019art ancien et contemporain, \u00e0 \u00c9pinal, vient d\u2019acqu\u00e9rir une \u0153uvre de l\u2019artiste Tudi Deligne : un pastel grand format intitul\u00e9 \u00ab L\u2019effondrement \u00bb (ou, dans son titre complet, \u00ab L\u2019effondrement commence par celui du langage \u00bb).<\/strong><\/h2>\n<p>N\u00e9 en 1986, l\u2019artiste franco-suisse, Tudi Deligne, a \u00e9t\u00e9 form\u00e9 \u00e0 l\u2019ESAD de Strasbourg, et d\u00e9veloppe depuis plus de quinze ans une \u0153uvre o\u00f9 le corps, le geste et la mati\u00e8re dialoguent de mani\u00e8re \u00e9troite. C\u2019est pendant cette formation que se sont dessin\u00e9es les deux voies de sa cr\u00e9ation actuelle\u202f: l\u2019exploration des potentialit\u00e9s \u00e0 la fois des arts graphiques et du champ chor\u00e9graphique.<\/p>\n<p>Co-fondateur de la compagnie Infradanse, il inscrit ses recherches chor\u00e9graphiques dans la lign\u00e9e du but\u00f4, en explorant un corps affranchi des habitudes gestuelles occidentales.<\/p>\n<p>Parall\u00e8lement, il travaille aussi le graphite, le crayon de couleur, et surtout le pastel sur papier, dans des \u0153uvres o\u00f9 les fronti\u00e8res se brouillent et o\u00f9 les r\u00e9f\u00e9rences se m\u00ealent.<\/p>\n<p>Si le noir et blanc, et toutes leurs nuances, lui ont permis d\u2019aller loin dans l\u2019exploration de la force visuelle du dessin, c\u2019est maintenant la puissance de choix chromatiques qui doivent beaucoup aux ma\u00eetres du baroque qui caract\u00e9rise ses pastels, dont la couleur n\u2019est pas le seul \u00e9l\u00e9ment frappant. Leur composition \u00e0 la fois \u00e9clat\u00e9e et dense, brouill\u00e9e et fourmillant de d\u00e9tails pr\u00e9cis, suscite une forme de sid\u00e9ration.<\/p>\n<p>C\u2019est bien celle-ci que veut cr\u00e9er l\u2019artiste, qui a longtemps travaill\u00e9 \u00e0 partir de photographies, et qui maintenant s\u2019accompagne dans son processus cr\u00e9atif de l\u2019Intelligence Artificielle\u202f: en croisant des r\u00e9f\u00e9rences visuelles diverses, il parvient \u00e0 cr\u00e9er un trouble chez le spectateur. Se d\u00e9gage de l\u2019\u0153uvre \u00e0 la fois une familiarit\u00e9 &#8211; on y reconna\u00eet la composition de tel chef d\u2019\u0153uvre de l\u2019art baroque, on y entrevoit les contours de tel portrait classique &#8211; et une sensation de perte de rep\u00e8res \u00e9tonnante. L\u2019artiste interroge par l\u00e0 avec subtilit\u00e9 notre rapport \u00e0 l\u2019image, aux images qui nous saturent, et au chaos informationnel qui nous entoure.<\/p>\n<p>Laur\u00e9at de nombreux prix prestigieux \u2013 Fondation Kiefer Hablitzel, Prix DDessin, Prix Pierre-David Weil, Prix Yishu8 2025 \u2013 repr\u00e9sent\u00e9 par la galerie By Lara Sedbon, il est aujourd\u2019hui reconnu sur la sc\u00e8ne internationale. Pourtant, paradoxalement, son travail n\u2019\u00e9tait pas encore entr\u00e9 dans une collection mus\u00e9ale fran\u00e7aise\u2026 jusqu\u2019\u00e0 maintenant.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Tudi Deligne<\/strong><\/p>\n<p><strong>\u00ab\u202fL\u2019effondrement\u202f\u00bb<\/strong><\/p>\n<p><strong>\ud835\udfe3\ud835\udfe6\ud835\udfe2\ud835\ude39\ud835\udfe3\ud835\udfea\ud835\udfe8 \ud835\ude24\ud835\ude2e. \ud835\ude17\ud835\ude22\ud835\ude34\ud835\ude35\ud835\ude26\ud835\ude2d \ud835\ude34\ud835\ude36\ud835\ude33 \ud835\ude31\ud835\ude22\ud835\ude31\ud835\ude2a\ud835\ude26\ud835\ude33. \ud835\udfe4\ud835\udfe2\ud835\udfe4\ud835\udfe7<\/strong><\/p>\n<p>Si la composition et les couleurs lui ont \u00e9t\u00e9 inspir\u00e9es par l\u2019un des tableaux de la Galerie M\u00e9dicis (un chef-d\u2019\u0153uvre de P. P. Rubens, illustrant la vie de Marie de M\u00e9dicis\u202f: La Parfaite R\u00e9conciliation de la reine et de son fils, apr\u00e8s la mort du conn\u00e9table de Luynes, le 15 d\u00e9cembre 1621), l\u2019\u0153uvre laisse aussi la part belle \u00e0 notre soci\u00e9t\u00e9 moderne\u202f: d\u00e9cor urbain, drapeaux divers, bris de voiture, cycliste filmant la sc\u00e8ne\u2026<\/p>\n<p>Ainsi, si ce gigantesque pastel, d\u2019embl\u00e9e, donne une impression picturale, fastueuse et solaire, par la richesse de ses coloris et le fant\u00f4me d\u2019une composition ancienne, elle trouble aussi en g\u00e9n\u00e9rant un rappel d\u2019images politiques sombres\u202f: images d\u2019\u00e9meutes, de sang, de drapeaux mis \u00e0 mal. C\u2019est une faillite de notre soci\u00e9t\u00e9 qu\u2019\u00e9voque, par son titre comme par l\u2019impression forte qu\u2019il nous laisse, ce pastel sur papier\u202f: nous sommes loin, ici, de l\u2019impression sereine et toute-puissante d\u00e9gag\u00e9e par le tableau qui a inspir\u00e9 l\u2019\u0153uvre, dans lequel au milieu du ciel Marie de M\u00e9dicis, portant le caduc\u00e9e, et son fils, entour\u00e9s d\u2019all\u00e9gories heureuses, se rejoignent, tandis qu\u2019une hydre immonde, symbole de d\u00e9cadence, est foudroy\u00e9e par une repr\u00e9sentation de la vertu. Le trouble, s\u00e9duisant et inqui\u00e9tant \u00e0 la fois, suscit\u00e9 par ce pastel, nous semble dire beaucoup et de l\u2019histoire de l\u2019art contemporain, et de notre soci\u00e9t\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Mus\u00e9e d\u00e9partemental d\u2019art ancien et contemporain, \u00e0 \u00c9pinal, vient d\u2019acqu\u00e9rir une \u0153uvre de l\u2019artiste Tudi Deligne : un pastel [&hellip;]<\/p>\n","protected":false},"author":52,"featured_media":138377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,24,5],"tags":[],"class_list":["post-138376","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-epinal","category-vosges"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Le Mudaac fait l&#039;acquisition d&#039;un tableau de Tudi Deligne - 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