{"id":146983,"date":"2026-10-28T13:38:55","date_gmt":"2026-10-28T12:38:55","guid":{"rendered":"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=146983"},"modified":"2026-10-28T13:38:55","modified_gmt":"2026-10-28T12:38:55","slug":"concerts-classiques-depinal-les-compositrices-a-lhonneur","status":"publish","type":"post","link":"https:\/\/vosgesinfo.fr\/epinalinfo\/2026\/10\/concerts-classiques-depinal-les-compositrices-a-lhonneur\/","title":{"rendered":"Concerts Classiques d’Epinal : Les compositrices \u00e0 l’honneur"},"content":{"rendered":"
\"\"<\/a>

Trio_Cr\u00e9dit_Photo_Matheo de Fina<\/p><\/div>\n

Le troisi\u00e8me concert de la saison des Concerts Classiques d’Epinal mettra \u00e0 l’honneur quatre compositrices (Mel Bonis, Lili et Nadia Boulanger, Graziela Bacewicz et Kelly-Mary Murphy).<\/span><\/h2>\n

Musique de chambre \u2013 Les compositrices<\/strong><\/p>\n

Dimanche 15 novembre 2026 \u2013 17h<\/strong><\/p>\n

La Louvi\u00e8re<\/strong><\/p>\n

 <\/p>\n

Elise Bertrand, violon<\/p>\n

Gaspard Thomas, piano<\/p>\n

J\u00e9r\u00e9my Garbarg, violoncelle<\/p>\n

 <\/p>\n

Suzanne Gervais de France Musique, pr\u00e9sentation<\/p>\n

 <\/p>\n

MEL BONIS (1858-1937)<\/strong><\/p>\n

\u00ab\u00a0Soir et Matin\u00a0\u00bb opus 76\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 09\u2019<\/p>\n

 <\/p>\n

LILI BOULANGER (1893-1918)<\/strong><\/p>\n

\u00ab\u00a0D’un soir triste\u00a0\u00bb \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 08\u2019<\/p>\n

\u00ab\u00a0D’un matin de printemps\u00a0\u00bb\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 05\u2019<\/p>\n

 <\/p>\n

NADIA BOULANGER (1887-1979)<\/strong><\/p>\n

Trois pi\u00e8ces pour violoncelle et piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 07\u2019<\/p>\n

 <\/p>\n

GRAZYNA\u00a0<\/strong>BACEWICZ (1909-1969)<\/strong><\/p>\n

Partita pour violon et piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 15\u2019<\/p>\n

 <\/p>\n

KELLY-MARIE MURPHY (1964)<\/strong><\/p>\n

\u00ab\u00a0Give Me Phoenix Wings To Fly\u00a0\u00bb\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 15\u2019<\/p>\n

 <\/p>\n

Texte Programme<\/p>\n

 <\/p>\n

Ce concert s’attache \u00e0 mettre en lumi\u00e8re le talent et la singularit\u00e9 de compositrices s\u2019\u00e9tant particuli\u00e8rement illustr\u00e9es dans la musique de chambre pour violon, violoncelle et piano lors du 20\u00e8me si\u00e8cle.<\/p>\n

 <\/p>\n

MEL BONIS <\/strong><\/p>\n

\u00ab\u00a0Soir et Matin\u00a0\u00bb opus 76<\/p>\n

Au d\u00e9but du 20\u1d49 si\u00e8cle en France, la musique de chambre se d\u00e9veloppe dans un climat artistique marqu\u00e9 par la recherche de couleurs et de raffinement sonore. L\u2019\u00e9criture de Mel Bonis s\u2019inscrit dans cette esth\u00e9tique proche de compositeurs comme Gabriel Faur\u00e9 et Claude Debussy, m\u00ealant lyrisme romantique et harmonies d\u00e9licates. \u00ab Soir et Matin \u00bb, son diptyque pour trio avec piano compos\u00e9 vers 1907, est une pi\u00e8ce de caract\u00e8re qui oppose deux atmosph\u00e8res compl\u00e9mentaires : la douceur contemplative de la nuit et la fra\u00eecheur lumineuse de l\u2019aube.<\/p>\n

\u00a0<\/strong><\/p>\n

LILI BOULANGER <\/strong><\/p>\n

\u00ab\u00a0D’un soir triste\u00a0\u00bb<\/p>\n

\u00ab\u00a0D’un matin de printemps\u00a0\u00bb<\/p>\n

Seulement dix ans apr\u00e8s, et peu avant de dispara\u00eetre, en 1918, Lili Boulanger compose deux pi\u00e8ces que l\u2019on ne peut comprendre l\u2019une sans l\u2019autre, m\u00eame s\u2019il est possible de les ex\u00e9cuter s\u00e9par\u00e9ment : D\u2019un soir triste et D\u2019un matin de printemps. Elles d\u00e9peignent les deux versants psychologiques de la compositrice \u2013 tout comme le titre de l\u2019une de ses m\u00e9lodies \u00ab\u00a0Elle est gravement gaie\u00a0\u00bb. Malgr\u00e9 leurs caract\u00e8res oppos\u00e9s, les deux morceaux partagent le m\u00eame rythme \u00e0 trois temps, la m\u00eame couleur harmonique modale et surtout le m\u00eame th\u00e8me g\u00e9n\u00e9rateur. La mati\u00e8re foisonnante de cette musique a naturellement amen\u00e9 Boulanger \u00e0 orchestrer les deux pi\u00e8ces l’ann\u00e9e suivante.<\/p>\n

\u00a0<\/strong><\/p>\n

NADIA BOULANGER <\/strong><\/p>\n

Trois pi\u00e8ces pour violoncelle et piano<\/p>\n

Mod\u00e9r\u00e9<\/p>\n

Sans vitesse et \u00e0 l\u2019aise<\/p>\n

Vite et nerveusement rythm\u00e9<\/p>\n

Les Trois pi\u00e8ces pour violoncelle et piano de sa s\u0153ur Nadia Boulanger, compos\u00e9es vers 1914, t\u00e9moignent de son talent de compositrice avant qu\u2019elle ne devienne surtout c\u00e9l\u00e8bre comme p\u00e9dagogue. Ces trois \u00e9pisodes, tr\u00e8s contrast\u00e9s, refl\u00e8tent le climat artistique parisien d\u2019avant la Premi\u00e8re Guerre mondiale, propice aux exp\u00e9rimentations et \u00e0 la naissance de nouvelles esth\u00e9tiques.<\/p>\n

 <\/p>\n

GRAZYNA\u00a0<\/strong>BACEWICZ <\/strong><\/p>\n

Partita pour violon et piano<\/p>\n

Preludium. Grave<\/p>\n

Toccata. Vivace<\/p>\n

Intermezzo<\/p>\n

Rondo. Presto<\/p>\n

Autre \u0153uvre phare d\u2019une compositrice de l\u2019apr\u00e8s Deuxi\u00e8me Guerre mondiale cette fois-ci, la Partita pour violon et piano de Gra\u017cyna Bacewicz, compos\u00e9e en 1955, s\u2019inscrit dans une p\u00e9riode marqu\u00e9e par un renouveau de la musique contemporaine. Violoniste virtuose et compositrice, Bacewicz y met en valeur le dialogue \u00e9nergique entre les deux instruments. La pi\u00e8ce en quatre mouvements combine des \u00e9l\u00e9ments n\u00e9oclassiques \u2014 inspir\u00e9s des formes anciennes comme la partita baroque \u2014 avec un langage harmonique moderne. \u00c0 cette \u00e9poque, de nombreux compositeurs d\u2019Europe centrale cherchent \u00e0 concilier tradition et modernit\u00e9 malgr\u00e9 le contexte politique du bloc sovi\u00e9tique.<\/p>\n

\u00a0<\/strong><\/p>\n

KELLY-MARIE MURPHY <\/strong><\/p>\n

\u00ab\u00a0Give Me Phoenix Wings To Fly\u00a0\u00bb<\/p>\n

En 1997, la compositrice canadienne Kelly-Marie Murphy compose son trio \u00ab\u00a0Give me phoenix wings to fly\u00a0\u00bb, en trois mouvements. Sa musique s’inspire notamment des vers de John Keats \u00ab Mais quand je serai consum\u00e9 par les flammes, Donnez-moi de nouvelles ailes de ph\u00e9nix pour voler \u00e0 ma guise \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le troisi\u00e8me concert de la saison des Concerts Classiques d’Epinal mettra \u00e0 l’honneur quatre compositrices (Mel Bonis, Lili et Nadia […]<\/p>\n","protected":false},"author":52,"featured_media":146985,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,24],"tags":[],"class_list":["post-146983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-epinal"],"acf":[],"yoast_head":"\nConcerts Classiques d'Epinal : Les compositrices \u00e0 l'honneur - Epinal Info<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=146983\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Concerts Classiques d'Epinal : Les compositrices \u00e0 l'honneur - Epinal Info\" \/>\n<meta name=\"twitter:description\" content=\"Le troisi\u00e8me concert de la saison des Concerts Classiques d’Epinal mettra \u00e0 l’honneur quatre compositrices (Mel Bonis, Lili et Nadia […]\" \/>\n<meta name=\"twitter:creator\" content=\"@VosgesInfo88\" \/>\n<meta name=\"twitter:site\" content=\"@VosgesInfo88\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"C.K.\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=146983#article\",\"isPartOf\":{\"@id\":\"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=146983\"},\"author\":{\"name\":\"C.K.\",\"@id\":\"https:\/\/vosgesinfo.fr\/epinalinfo\/#\/schema\/person\/6f9a650eeea99d969b6c4ab78fccbe81\"},\"headline\":\"Concerts Classiques d’Epinal : Les compositrices \u00e0 l’honneur\",\"datePublished\":\"2026-10-28T12:38:55+00:00\",\"dateModified\":\"2026-10-28T12:38:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=146983\"},\"wordCount\":678,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/vosgesinfo.fr\/epinalinfo\/#organization\"},\"image\":{\"@id\":\"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=146983#primaryimage\"},\"thumbnailUrl\":\"https:\/\/vosgesinfo.fr\/app\/uploads\/sites\/3\/2026\/10\/trio-credit-photo-matheo-de-fina.jpg\",\"articleSection\":[\"A la Une\",\"Epinal\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=146983#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=146983\",\"url\":\"https:\/\/vosgesinfo.fr\/epinalinfo\/?p=146983\",\"name\":\"Concerts Classiques d'Epinal : Les compositrices \u00e0 l'honneur - 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