{"id":38362,"date":"2018-12-07T16:43:36","date_gmt":"2018-12-07T15:43:36","guid":{"rendered":"https:\/\/vosgesinfo.fr\/gerardmerinfo\/2018\/12\/retromania-nouvelle-section-festival-de-gerardmer\/"},"modified":"2018-12-07T16:43:36","modified_gmt":"2018-12-07T15:43:36","slug":"retromania-nouvelle-section-festival-de-gerardmer","status":"publish","type":"post","link":"https:\/\/vosgesinfo.fr\/gerardmerinfo\/2018\/12\/retromania-nouvelle-section-festival-de-gerardmer\/","title":{"rendered":"R\u00e9tromania : la nouvelle section du festival de G\u00e9rardmer"},"content":{"rendered":"<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\">Le Festival International du Film Fantastique de G\u00e9rardmer cr\u00e9e une nouvelle section, dans laquelle seront pr\u00e9sent\u00e9s, dans leur version restaur\u00e9e, des films fantastiques de patrimoine devenus cultes, populaires, m\u00e9connus, rares ou interdits. Ces films, qui continuent d\u2019influencer les cin\u00e9astes contemporains, et irriguent la m\u00e9moire des cin\u00e9philes, sont marqu\u00e9s par un d\u00e9sir de transgresser les codes du cin\u00e9ma, mais aussi le t\u00e9moignage d\u2019une \u00e9poque. <\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><b><span style=\"color: #000000;\">R\u00e9tro : qui marque un retour vers le pass\u00e9. <\/span><\/b><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><b>Mania : folie, manie, d\u00e9mence, \u00e9tat de fureur.<\/b> <\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\"><b><a href=\"\/2018\/12\/maniac803big-1024x550.jpg\"><img decoding=\"async\" class=\"alignright size-medium wp-image-138812\" src=\"\/2018\/12\/maniac803big-1024x550-400x215.jpg\" alt=\"maniac803big-1024x550\" width=\"400\" height=\"215\" \/><\/a>MANIAC <\/b><\/span><span style=\"color: #000000;\">Version restaur\u00e9e 4K <\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\">De William Lustig <\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\"><b>\u00c9tats-Unis, 1980 <\/b><\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\"><i>Maniac<\/i><\/span><span style=\"color: #000000;\">, r\u00e9alis\u00e9 en 1980, acc\u00e8de rapidement au statut de film culte par son ambiance malsaine, sa violence graphique, sa mise en sc\u00e8ne qui rend le spectateur complice du tueur et l\u2019interpr\u00e9tation habit\u00e9e de Joe Spinell, \u00e9galement co-sc\u00e9nariste. Le r\u00e9alisateur, William Lustig signe par la suite <\/span><span style=\"color: #000000;\"><i>Maniac Cop <\/i><\/span><span style=\"color: #000000;\">(1988), sc\u00e9naris\u00e9 par Larry Cohen (<\/span><span style=\"color: #000000;\"><i>Le Monstre est vivant<\/i><\/span><span style=\"color: #000000;\">, 1974), et ses suites. <\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\">Franck Khalfoun (<\/span><span style=\"color: #000000;\"><i>Engrenage mortel<\/i><\/span><span style=\"color: #000000;\">, 2009) met en sc\u00e8ne un remake du film en 2012, avec Elijah Wood dans le r\u00f4le principal. <\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\"><b>INTERPR\u00c9TATION\u00a0<\/b><\/span><span style=\"color: #000000;\"><span style=\"font-family: Calibri, Calibri, sans-serif;\">:<\/span><\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\">Joe Spinell, Caroline Munro, Gail Lawrence, Kelly Piper, Rita Montone <\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\"><b><a href=\"\/2018\/12\/roseecorcheephoto5.jpg\"><img decoding=\"async\" class=\"alignright size-medium wp-image-138813\" src=\"\/2018\/12\/roseecorcheephoto5-400x225.jpg\" alt=\"roseecorcheephoto5\" width=\"400\" height=\"225\" \/><\/a>LA ROSE \u00c9CORCH\u00c9E<\/b><\/span> <span style=\"color: #000000;\">Version restaur\u00e9e 4K <\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\">De Claude Mulot <\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\"><b>France, 1970 <\/b><\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"color: #000000;\"><i>La Rose \u00e9corch\u00e9e<\/i><\/span><span style=\"color: #000000;\">, film fantastique, fait figure de raret\u00e9 dans le cin\u00e9ma fran\u00e7ais. Le r\u00e9alisateur, \u00e9galement connu sous le pseudonyme de Fr\u00e9d\u00e9ric Lansac, contribue \u00e0 l\u2019\u00e2ge d\u2019or du cin\u00e9ma \u00e9rotique fran\u00e7ais des ann\u00e9es 70, avec ses films <\/span><span style=\"color: #000000;\"><i>Les Charnelles <\/i><\/span><span style=\"color: #000000;\">(1974) et <\/span><span style=\"color: #000000;\"><i>Le Sexe qui parle <\/i><\/span><span style=\"color: #000000;\">(1975). Avec <\/span><span style=\"color: #000000;\"><i>La Rose \u00e9corch\u00e9e<\/i><\/span><span style=\"color: #000000;\">, il confie \u00e0 Anny Duperey un de ses premiers r\u00f4les au cin\u00e9ma et suit \u00e0 sa mani\u00e8re les pas du cin\u00e9aste Georges Franju (<\/span><span style=\"color: #000000;\"><i>Les Yeux sans visage<\/i><\/span><span style=\"color: #000000;\">, 1960). <\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000; font-size: 14pt;\"><span style=\"font-family: Times New Roman, serif;\"><b>INTERPR\u00c9TATION\u00a0<\/b><span style=\"font-family: Calibri, Calibri, sans-serif;\">:<\/span><\/span><\/span><\/p>\n<p align=\"LEFT\"><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\"><span style=\"color: #000000;\"><span style=\"font-size: 14pt;\">Philippe Lemaire, Anny Duperey, Elizabeth Teissier, Olivia Robin, Mich\u00e8le Perello, Val\u00e9rie Boisgel, Jean-Pierre Honor\u00e9, G\u00e9rard-Antoine Huart<\/span> <\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Festival International du Film Fantastique de G\u00e9rardmer cr\u00e9e une nouvelle section, dans laquelle seront pr\u00e9sent\u00e9s, dans leur version restaur\u00e9e, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":38363,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20,4,18],"tags":[91,3921,3922],"class_list":["post-38362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une","category-culture","category-vosges","tag-festival-du-film-fantastique-gerardmer","tag-maniac","tag-retromanai"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.5 - 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