{"id":49456,"date":"2022-01-18T12:03:21","date_gmt":"2022-01-18T11:03:21","guid":{"rendered":"https:\/\/vosgesinfo.fr\/saintdieinfo\/2022\/01\/fevrier-culturel-a-saint-die-vosges-2-2\/"},"modified":"2022-01-18T12:03:21","modified_gmt":"2022-01-18T11:03:21","slug":"fevrier-culturel-a-saint-die-vosges-2-2","status":"publish","type":"post","link":"https:\/\/vosgesinfo.fr\/saintdieinfo\/2022\/01\/fevrier-culturel-a-saint-die-vosges-2-2\/","title":{"rendered":"F\u00e9vrier culturel \u00e0 Saint-Di\u00e9-des-Vosges"},"content":{"rendered":"
\"visite<\/a>

(Photographie Jean-Marie Collavizza)<\/p><\/div>\n

\u25ba Th\u00e9\u00e2tre, masques et marionnettes<\/span><\/span>,<\/span><\/span> <\/i>d\u00e8s\u00a012 ans<\/span><\/span><\/strong><\/span><\/p>\n

propos\u00e9 par l\u2019association C\u00f4t\u00e9 Jardin<\/span><\/span><\/strong><\/span><\/p>\n

La visite de la vieille dame<\/span><\/span> [1h30]<\/span><\/span><\/strong><\/span><\/p>\n

Compagnie les T\u00eates de Bois<\/span><\/span><\/strong><\/span><\/p>\n

Texte : Friederich D\u00fcrrenmatt <\/span><\/span>\u2022 <\/span><\/span>Traduction\u00a0: J-P Porret <\/span><\/span>\u2022 <\/span><\/span>Mise en sc\u00e8ne\u00a0: Mehdi Benabdelouhab <\/span><\/span>\u2022 <\/span><\/span>Jeu\u00a0: Jean Bard, Mehdi Benabdelouhab, Valeria Emanuele, Laurence landra, Facundo Melillo <\/span><\/span>\u2022 <\/span><\/span>Cr\u00e9ation lumi\u00e8re et r\u00e9gie\u00a0: Gabriel Bosc <\/span><\/span>\u2022 <\/span><\/span>Sc\u00e9nographie\u00a0: Mehdi Benabdelouhab <\/span><\/span>\u2022 <\/span><\/span>Costumes\u00a0: Sonia Sivel et C\u00e9line Arrufat <\/span><\/span>\u2022 <\/span><\/span>Marionnette et masques\u00a0: Brina Babini <\/span><\/span>\u2022 <\/span><\/span>Maquillage\u00a0: Agn\u00e8s Gourain \u2013Fayn <\/span><\/span>\u2022 <\/span><\/span>C<\/span><\/span>r\u00e9ation et musique originale\u00a0: Pierre Bernon<\/span><\/span><\/span><\/p>\n

Musique enregistr\u00e9e\u00a0: Astor Piazolla, Roberto Goyeneche<\/span><\/span><\/span><\/p>\n

Une vieille dame richissime revient dans son village natal \u00ab\u00a0G\u00fcllen\u00a0\u00bb (traduction de \u00ab\u00a0purin\u00a0\u00bb) pour se venger d\u2019un amour de jeunesse qui l\u2019a trahie. Les habitants comptent profiter de ce retour pour lui soutirer de l\u2019argent et sauver ainsi leur village autrefois prosp\u00e8re \u2026<\/span><\/span><\/p>\n

Dans cette pi\u00e8ce \u00e9crite en 1956, devenue une \u0153uvre intemporelle et profond\u00e9ment actuelle, D\u00fcrrenmatt attaque au vitriol les vacillements de la conscience et de l\u2019hypocrisie que provoque l\u2019app\u00e2t du gain. Les fronti\u00e8res entre justice et injustice, culpabilit\u00e9 et innocence se brouillent, la collectivit\u00e9 corrompue par l\u2019argent s\u2019engage sur des chemins aussi tortueux que malsains.<\/span><\/span><\/p>\n

Avec ce spectacle <\/span><\/span>Mehdi Benabdelouhab <\/i><\/span><\/span>signe une mise en sc\u00e8ne contemporaine, po\u00e9tique m\u00ealant masques et marionnettes exacerbant les c\u00f4t\u00e9s monstrueux des personnages. Il permet ainsi une distanciation pertinente avec l\u2019humain.<\/span><\/span><\/span><\/p>\n

V\u00e9ritable conte, divertissant, cruel, comique voire burlesque, ce texte porte en lui une force \u00e9motionnelle, philosophique puissante qui ne cesse d\u2019interroger notre propre conscience.<\/span><\/span><\/span><\/p>\n

Mardi 1er<\/sup> f\u00e9vrier \u00e0 20h30, au <\/span><\/span>Mus\u00e9e Pierre-No\u00ebl<\/span><\/span> de Saint-Di\u00e9-des-Vosges.<\/span><\/span><\/span><\/strong><\/p>\n

Plein tarif : 12 \u20ac – Tarif r\u00e9duit : 10 \u20ac – \u00c9tudiants : 6 \u20ac – Famille (parents + enfants – 18 ans) : 30 \u20ac<\/span><\/span><\/p>\n

R\u00e9servation au 03 29 56 14 09<\/strong> et sur <\/span><\/span>www.ticketmaster.fr<\/a><\/span><\/span><\/strong><\/span><\/em><\/p>\n

–<\/p>\n

\"5-02<\/a>

(Photographie Bernard Duret)<\/p><\/div>\n

\u25baTh\u00e9\u00e2tre d’ombres et de corps, d\u00e8s 7 ans<\/span><\/span><\/span><\/strong><\/p>\n

Les Habits Neufs de L\u2019empereur <\/span><\/span>[<\/span><\/span>55mn<\/span><\/span>]<\/span><\/span><\/span><\/strong><\/p>\n

Compagnie Escale<\/span><\/span><\/strong><\/p>\n

Adaptation du conte \u00ab\u00a0Les habits neufs de l’empereur\u00a0\u00bb de H.C.Andersen<\/span><\/span> \u2022 <\/span><\/span>En collaboration avec Teatro Gioco Vita<\/span><\/span><\/span><\/strong><\/p>\n

De et avec : Grit Krausse, Hugues Hollenstein et Guillaume Druel<\/span><\/span> \u2022 <\/span><\/span>Conseils artistiques : Fabrizio Montecchi<\/span><\/span> et Nicoletta Garioni<\/span><\/span> \u2022 <\/span><\/span>Direction d\u2019acteurs : Gerard Elschot<\/span><\/span> \u2022 <\/span><\/span>Composition musicale : Guillaume Druel <\/span><\/span>\u2022 <\/span><\/span>Ombres et lumi\u00e8res : Hugues Hollenstein <\/span><\/span> \u2022 <\/span><\/span>Costumes : H\u00e9lo\u00efse Calmet<\/span><\/span> \u2022 <\/span><\/span>Toiles peintes, silhouettes et masques : Lara Manipoud<\/span><\/span> \u2022 <\/span><\/span>Sc\u00e9nographie : Luc Boissinot, Hugues Hollenstein<\/span><\/span> \u2022 <\/span><\/span>Co-productions : L’Escale \u00e0 St Cyr sur Loire, L’Entracte, sc\u00e8ne conventionn\u00e9e de Sabl\u00e9 sur Sarthe, L’Hectare, sc\u00e8ne conventionn\u00e9e de Vend\u00f4me, La ligue de l’enseignement (spectacle en recommand\u00e9), la Ville de Tours \/ Label Rayons Frais<\/span><\/span> \u2022 <\/span><\/span>La Compagnie Escale est conventionn\u00e9e par la R\u00e9gion Centre et soutenue par la DRAC Centre <\/span><\/span>V<\/span><\/span>al de Loire, le Conseil D\u00e9partemental d\u2019Indre et Loire et l’ADAMI<\/span><\/span> \u2022 <\/span><\/span>Escale est une des compagnies permanentes du 37<\/span><\/span>e<\/span><\/span><\/sup> Parall\u00e8le<\/span><\/span><\/span><\/p>\n

Il y a tr\u00e8s longtemps, dans un pays tr\u00e8s lointain, un empereur tr\u00e8s puissant aimait par dessus tout les tr\u00e8s jolis costumes. Un jour, au palais, se pr\u00e9sentent deux tailleurs, escrocs de profession. Ils se vantent de savoir tisser une \u00e9toffe merveilleuse, invisible aux imb\u00e9ciles et aux sots. Les voil\u00e0 \u00e0 passer leurs navettes sur un m\u00e9tier vide, amassant or et fil de soie. A la premi\u00e8re laie, l\u2019empereur envoie son chambellan : celui-ci ne voit rien, mais ne voulant pas para\u00eetre sot, de l\u2019\u00e9toffe il fait l\u2019\u00e9loge. A la deuxi\u00e8me coupe, le ministre est d\u00e9p\u00each\u00e9 : pas plus sot que le premier, il fait enfler la rumeur\u2026 Et ainsi de suite jusqu\u2019\u00e0 l\u2019empereur.<\/span><\/span><\/span><\/p>\n

Au lieu d\u2019une \u00e9toffe, les tailleurs tissent une rumeur. Ils la travaillent comme une mati\u00e8re, et la laissent se r\u00e9pandre comme une ombre. Ils utilisent le pouvoir du conformisme et du merveilleux. Tout le monde accepte de trahir ses perceptions pour ne pas para\u00eetre ridicule.<\/span><\/span><\/span><\/p>\n

La forme de ce conte malicieux permet de transposer dans un monde imaginaire une r\u00e9flexion profonde sur la fi\u00e8vre d\u2019ob\u00e9issance de l\u2019\u00eatre humain, aussi bien pour des enfants que des adultes.<\/span><\/span><\/span><\/p>\n

La compagnie Escale se sp\u00e9cialise dans le th\u00e9\u00e2tre d\u2019ombres, un subtil m\u00e9lange de corps r\u00e9els et de \u201ccorps-silhouettes\u201d, pour jouer de multiples couches de lecture de ce conte dont la musique portera la narration sensible.<\/span><\/span><\/span><\/p>\n

Samedi 5 f\u00e9vrier 2022 \u00e0 10h30<\/span><\/span> au Mus\u00e9e Pierre-No\u00ebl<\/span><\/span> de Saint-Di\u00e9-des-Vosges.<\/span><\/span><\/span><\/strong><\/p>\n

Plein tarif : <\/span><\/span>6 \u20ac<\/span><\/span> – Tarif r\u00e9duit : <\/span><\/span>4 \u20ac – Enfants 3 \u20ac<\/span><\/span> – Famille (parents + enfants – 18 ans) : <\/span><\/span>15 \u20ac<\/span><\/span><\/span><\/p>\n

R\u00e9servation au 03 29 56 14 09.<\/strong><\/i><\/span><\/span><\/p>\n

–<\/p>\n

\"22-02-08<\/a><\/p>\n

\u25ba Calenture N\u00b0150 de l’Hypog\u00e9e – Pour clown blanc et deux rats muppet \/ D\u00e8s 11 ans<\/span><\/span><\/span><\/strong><\/p>\n

SUCCURSALE 101<\/span><\/span><\/span><\/strong><\/p>\n

Ah les rats\u00a0! [1h] Cr\u00e9ation f\u00e9vrier 2022<\/span><\/span><\/span><\/strong><\/p>\n

En r\u00e9sidence du <\/span>8<\/span> au <\/span>18<\/span> f\u00e9vrier<\/span><\/span><\/span><\/span><\/p>\n

Une calenture de Jean Lambert-wild & Ang\u00e9lique Friant – Texte\u00a0: Catherine Lefeuvre – Direction\u00a0: Jean Lambert-wild & Ang\u00e9lique Friant<\/span><\/span><\/span><\/p>\n

Avec\u00a0: Jean Lambert-wild & Chiara Collet – Marionnettes : Ang\u00e9lique Friant & Catherine Hugot – Sc\u00e9nographie : Jean Lambert-wild & Ang\u00e9lique Friant – Souquenille de Gramblanc dessin\u00e9e par\u00a0: St\u00e9phane Blanquet – Souquenille de Gramblanc r\u00e9alis\u00e9e par : Pascale et St\u00e9phane Richy – Le Chat bott\u00e9 costumier – Signature de Grambanc\u00a0: Jean Lambert-wild – Maquilleuse \/ Habilleuse\u00a0: Christine Ducouret<\/span><\/span><\/span><\/p>\n

Deux rats, marionnettes \u00e0 main d\u2019Ang\u00e9lique Friant, conversent avec\u00a0Gramblanc\u00a0sur leurs mauvaises r\u00e9putations et m\u00e9sententes avec l\u2018homme, dont ils sont victimes.\u00a0<\/span><\/span><\/p>\n

\u00c0 travers cet \u00e9change, c\u2019est de notre relation \u00e0 l\u2019animal dont il est question.<\/span><\/span><\/p>\n

Devenu depuis peu\u00a0dans le Code civil un \u00ab\u00a0\u00eatre vivant dou\u00e9 de sensibilit\u00e9\u00a0\u00bb\u00a0et non plus un \u00ab\u00a0bien meuble\u00a0\u00bb et une \u00ab\u00a0chose inanim\u00e9e\u00a0\u00bb, c\u2019est le moment ou jamais pour\u00a0les\u00a0rats\u00a0de prendre la parole et d\u2019\u00e9veiller nos consciences, encore trop peu empathiques envers le Vivant.<\/span><\/span><\/p>\n

Premi\u00e8res repr\u00e9sentation<\/span>s<\/span> publique<\/span>s<\/span> l<\/span>es <\/span>17, 18 et 19 f\u00e9vrier<\/span> \u00e0 <\/span>20h30, s<\/span>ur le territoire de la Communaut\u00e9 d\u2019agglom\u00e9ration de Saint-Di\u00e9-des-Vosges.<\/span><\/span><\/span><\/strong><\/p>\n

Entr\u00e9e libre \u2013 Sur r\u00e9servation au 03 29 56 14 09.<\/strong><\/span><\/span><\/span><\/em><\/p>\n

–<\/p>\n

\"22-02-26_O<\/a>

(Photographie Alain Monot)<\/p><\/div>\n

\u25baTh\u00e9\u00e2tre, danse, arts plastiques<\/span><\/span>, d\u00e8s<\/span><\/span> 16 ans <\/span><\/span>Spectacle en r\u00e9sonance avec le F.I.G 2021<\/span><\/span><\/span><\/strong><\/p>\n

La Messe de l\u2019\u00c2ne<\/span><\/span> <\/i>[<\/span><\/span>1h<\/span><\/span>]<\/span><\/span><\/span><\/strong><\/p>\n

Compagnie Olivier de Sagazan<\/span><\/span><\/strong><\/p>\n

Mise en sc\u00e8ne : Olivier de Sagazan<\/span><\/span><\/span><\/p>\n

Cr\u00e9\u00e9 en collaboration et interpr\u00e9t\u00e9 par : Olivier de Sagazan, Alexandre Fandard, Leila Ka, Shirley Niclais, Stephanie Sant, Ele Madell <\/span><\/span> \u2022 <\/span><\/span>Lumi\u00e8res : Pac\u00f4me Boisselier<\/span><\/span> \u2022 <\/span><\/span>Assistant \u00e0 la mise en sc\u00e8ne et \u00e0 la dramaturgie : Anas Sareen<\/span><\/span><\/span><\/p>\n

Biologiste de formation, Olivier de Sagazan est devenu peintre et sculpteur avec l\u2019id\u00e9e toujours pr\u00e9sente d\u2019interroger la vie organique : comment faire une sculpture qui par sa simple existence suscite le sentiment d\u2019une pr\u00e9sence ? C\u2019est dans une rage de donner la vie \u00e0 la mati\u00e8re que lui vient l\u2019id\u00e9e de recouvrir son propre corps d\u2019argile afin d\u2019observer ce que donnerait cet objet insolite : ext\u00e9rieurement fait de mati\u00e8re inerte et anim\u00e9 de l\u2019int\u00e9rieur par un vrai corps.<\/span><\/span><\/p>\n

Cette exp\u00e9rience d\u2019atelier donnera lieu \u00e0 la cr\u00e9ation d\u2019un solo (Transfiguration<\/i>, pr\u00e9sent\u00e9 au Festival International des Brigittines en ao\u00fbt dernier) dont l\u2019impact visuel est d\u2019autant plus d\u00e9concertant que les transformations s\u2019effectuent \u00e0 l\u2019aveugle. Le processus est ici r\u00e9it\u00e9r\u00e9 avec plusieurs danseurs. L\u2019objectif est toujours d\u2019interroger la logique du vivant, sa mobilit\u00e9, et l\u2019oscillation d\u2019un sujet sensible entre la marionnette et le marionnettiste. Il s\u2019ensuit un spectacle surprenant qui mobilise tous les sens et qui conjugue la danse, le th\u00e9\u00e2tre, les arts plastiques.<\/span><\/span><\/p>\n

Samedi 26 f\u00e9vrier 2022 \u00e0 20h30 \u00e0 <\/span><\/span>Espace Georges-Sadoul<\/span><\/span> de Saint-Di\u00e9-des-Vosges.<\/span><\/span><\/span><\/strong><\/p>\n

Plein tarif : 20 \u20ac – Tarif r\u00e9duit : 17 \u20ac – \u00c9tudiants : 8 \u20ac – Famille (parents + enfants – 18 ans) : 50 \u20ac<\/span><\/span><\/p>\n

R\u00e9servation au 03 29 56 14 09<\/strong> et sur <\/span><\/span>www.ticketmaster.fr<\/span><\/span><\/a><\/strong>.<\/span><\/span><\/span><\/em><\/p>\n

Olivier de Sagazan proposera \u00e9galement un stage \u00ab\u00a0Parcours Pro\u00a0, en partenariat avec le TJP – Centre Dramatique National Strasbourg-Grand Est.<\/span><\/span><\/span><\/p>\n

PARCOURS PRO<\/span><\/span><\/span><\/p>\n

OLIVIER DE SAGAZAN
\nMati\u00e8res vivantes<\/span><\/span><\/strong><\/p>\n

Anim\u00e9s par des artistes proches du projet Corps-Objet-Image, les Parcours pro sont des espaces de recherche et d\u2019exp\u00e9rimentation, qui croisent l\u2019univers artistique des intervenant\u00b7e\u00b7s et celui des participant\u00b7e\u00b7s. Ils sont destin\u00e9s aux artistes professionnel\u00b7le\u00b7s, quelle que soit leur pratique artistique, et sont \u00e9galement ouverts aux praticien\u00b7ne\u00b7s de champs professionnels voisins (architecture, artisanat, design\u2026). Les Parcours pro g\u00e9n\u00e8rent une connaissance mutuelle des artistes, la rencontre avec les r\u00e9seaux professionnels et une dynamique r\u00e9gionale.<\/span><\/span><\/p>\n

Ce dispositif se d\u00e9roule en trois temps :<\/span><\/span><\/p>\n

\u2022 Un chantier de deux jours, pour explorer des pistes de travail \u00e0 partir de l\u2019univers artistique de l\u2019intervenant\u00b7e. [mercredi 23 et jeudi 24 f\u00e9vrier 2022]<\/b><\/span><\/span><\/span><\/p>\n

\u2022 Un laboratoire de cinq jours, pour poursuivre la recherche, croiser les regards et les pratiques, travailler \u00e0 plusieurs, hors pr\u00e9sence de l\u2019intervenant\u00b7e. Le dernier jour, l\u2019intervenant\u00b7e revient et accompagne les travaux en cours. [du 25 f\u00e9vrier au 1er\u00a0mars 2022]<\/b><\/span><\/span><\/span><\/p>\n

\u2022 Un temps d\u2019ouverture au public, pour permettre la rencontre des artistes avec le public et les r\u00e9seaux professionnels, en pr\u00e9sence de l\u2019artiste-intervenant\u00b7e.<\/span> [mardi 1er\u00a0mars \u00e0 19 h 30 – <\/b><\/span>R\u00e9servation au 03 29 56 14 09<\/b><\/span>]<\/b><\/span><\/span><\/span><\/span><\/p>\n

\"O.Sagazan<\/a>

(Photographie Erwan Floch)<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

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